Small Signs:

These photos attempt to make sense of the ominous intersections between man-made objects and our natural landscape. I am interested in the impact of the way we live now, in constant communion with our surroundings, and hope to find these elements of science fiction in the everyday.

Fast Food:

These photographs investigate the love/hate relationship that many Americans have with fast food, and, like many other aspects of popular culture, its ability to be simultaneously seductive and repulsive. Hamburgers, French fries, chicken nuggets and "specialty" sandwiches are scanned on stark black backgrounds, isolated from their branded context, without name recognition, nearly floating in space. Under austere, uniform lighting; stripped of branding, packaging and iconography, the food takes on a scientific, yet ethereal quality that is at times both revolting and mouthwatering. 

A Number of Obstacles (Coming Soon)

The Serpent and the Rainbow:

The Serpent and The Rainbow is a series of stills from the production-logo introduction screens of VHS tapes of 1970's and 1980's horror and science fiction movies. I’m drawn to the false sense of eeriness that production houses achieved simply from combining a cheap, yet vibrant logo with lo-fi Casio-driven soundscapes and their ability to create a sense of terror that is at times more horrific than the movies themselves.

Fallout:

These images were made over a period of 5 days spent in Hiroshima in October, 2012.

From Russia With Love:

From Russia With Love is a series o

f low resolution photographs culled from spam emails I received over several years. The emails were sent by unknown figures posing as Russian and Eastern European women soliciting relationships with American men. Cast in often-fragmented English, they promise devotion, intimacy, and sexual companionship.

They embody an assortment of emotional and sexual clichés, but in some way their "presentation" of self and sexuality is believable. The origin of the images themselves, whether they are of actual “available” women or pirat

ed images from Google searches is as mysterious and unsettling as the demand for these women as commodities for Western men.